Captain Coe’s Famous Racearound showcases the work of saxophonist Tony Coe, the first non-American to receive the jazz world’s ultimate accolade – the Jazzpar Prize, occasionally known as the ‘Jazz Nobel’, which he was awarded in 1995. All tracks on this album were recorded during the JAZZPAR award concerts with both The Danish Radio Jazz Orchestra conducted by Bob Brookmeyer and the 1995 Jazzpar Combo. This remastered edition features redesigned artwork by the Danish star graphic artist Finn Nygaard, new liner notes by Brian Priestley and photos by Jan Persson.
Tony Coe wrote a substantial new work for the JAZZPAR award concerts and the complex “Captain Coe’s Famous Racearound”, according to its composer, was completed within a few days “in an atmosphere of white heat. The smallgroup set with the JAZZPAR Combo also includes a Coe composition featuring the excellent solo work of Bob Brookmeyer. “Edmundo” (formerly recorded as
“Lagos” on Canterbury Song) was dedicated to the Latin-American bandleader Edmundo Ros, who was the drummer on Fats Waller’s London recordings but remembered by Tony for his “exhilarating and romantic Latin music and his warm personality coming over the air during my [World War II] childhood, when there was much stress and hardship in Britain”. Also heard are two pieces by London- and Paris based drummer Steve Argüelles. The first has Argüelles playing a musical box against which Tony builds a free improvisation, while “Antonia” is a ballad showcasing his warm soprano saxophone tone.
Tony Coe – Saxophone
The Danish Radio Jazz Orchestra conducted by Bob Brookmeyer and with The 1995 JAZZPAR Combo
1. Medley: Prelude / How Long Has This Been Going on / Postlude (Live) 06:00
2. Edmundo (Live) 08:59
3. Toy Box (Live) 03:40
4. Antonia (Live) 05:50
5. Fools Rush In (Live) 06:52
6. Nasty Dance (Live) 12:00
7. My Lament (Live) 04:30
8. Captain Coe’s Famous Racearound (Live) 11:33
“With a highly personal expression and tone, Tony Coe shows us his expansive soloistic qualities in a mixture of his own written material and unique arrangements of jazz standards” – Tor Hammerø
Tony Coe shows he deserves a better hearing on this album – George Harris, Jazz Weekly
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