Wingy Manone (February 13, 1900 – July 9, 1982) was an American jazz trumpeter, composer, singer, and bandleader. His major recordings included “Tar Paper Stomp”, “Nickel in the Slot”, “Downright Disgusted Blues”, “There’ll Come a Time (Wait and See)”, and “Tailgate Ramble”. Manone was born Joseph Matthews Mannone in New Orleans, Louisiana. He lost an arm in a streetcar accident, which resulted in his nickname of “Wingy”. He used a prosthesis, handling it so naturally and unnoticeably that his disability was not apparent to the public. After playing trumpet and cornet professionally with various bands in his home town, he began to travel across America in the 1920s, working in Chicago, New York City, Texas, Mobile, Alabama, California, St. Louis, Missouri and other locations; he continued to travel widely throughout the United States and Canada for decades. Wingy Manone’s style was similar to that of fellow New Orleans trumpeter Louis Prima: hot jazz with trumpet leads, punctuated by good-natured spoken patter in a pleasantly gravelly voice. Manone was an esteemed musician who was frequently recruited for recording sessions. He played on some early Benny Goodman records, for example, and fronted various pickup groups under pseudonyms like “The Cellar Boys” and “Barbecue Joe and His Hot Dogs.” His hit records included “Tar Paper Stomp” (an original riff composition of 1929, later used as the basis for Glenn Miller’s “In the Mood”), and a hot 1934 version of a sweet ballad of the time “The Isle of Capri”, which was said to have annoyed the songwriters despite the royalties it earned them. In 1943 he recorded several tunes as “Wingy Manone and His Cats”; that same year he performed in Soundies movie musicals. One of his Soundies reprised his recent hit “Rhythm on the River.” Manone is survived by his son Joseph Matthew Manone II and grandson Jimmy Manone, who are both musicians, as well as grandsons Joseph Matthew Manone III and Jon Scott (Manone) Harris.
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